These 2 short films, taken from
Kieslowski's the Decalogue, a
collection of ten short films that place the 10 commandments in a modern-day,
worldly setting, are very in depth and require us as viewers to go beneath the
surface in order to uncover their true meaning.
As discussed in class, in order to fully comprehend these films, we as viewers
must take into consideration our personal feelings and compare these feelings and
thoughts to what the producer is founding these films on. Thus, these films are examples of “midrash.” The
Ten Commandments are to provide the foundation of all law and justification,
yet these 2 short films seem to depict these commandments as almost tragic. What I think Kieslowski sets out to present
is not the law itself, but the question of the law and its principles. The significance of the otherwise routine,
daily choices the characters make becomes a fascination in these short films.
In the first film (Thou shall have no
other gods), I was immediately drawn to the young boy Pavel’s exceptional
intelligence and also his father’s infatuation with measurements. One day, when Pavel wants to go skating, the
father uses his computer to calculate whether the ice on a local pond is thick
enough. The computer says it's safe, but
the boy falls through and drowns. Even
though the meaning is not explicit, I believe the first film acts as a caution
to those who follow blindly without any thinking or philosophy.
The second
film (Though shall not kill), follows a murder, his victim (a taxi
driver), and a representative of the law through the random moments in their
lives leading up to the act that will bring them all together. Jacek's (the young murderer’s) act of killing
is horrific but so to is the brutal, drawn out way he is executed. It appears to me that Kieslowski’s message is
that no one deserves to die, which is evident in the way he draws out the last
scene where Jacek is hung.
No comments:
Post a Comment